An independent art writer, editor and curator, my interests revolve around historical and contemporary investigations of feminist and critical identity practices and the performative and ethical stakes of contemporary art practice. I have held prominent editorial positions at Art in America, Modern Painters, Flash Art and ...might be good. Additionally, I've contributed to publications such as ART LIES, Artforum, Brooklyn Rail, frieze and Red Hook Journal, and organized independent curatorial projects in venues such as PERFORMA09 and the Künstlerhaus Schloss Balmoral (Bad Ems, Germany), and The Kitchen.